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Unit 7: Harmony and Voice Leading IV: Secondary Function

  1. Tonicization and Secondary Dominants
  2. Spelling Secondary Dominant Chords
  3. Which Chords Can Be Tonicized
  4. Part Writing Secondary Dominants
  5. Chains of Secondary Dominants and Irregular Resolutions
  6. Secondary Leading-Tone Chords
  7. Spelling and Hearing Secondary Leading-Tone Chords
  8. Part Writing Secondary Leading-Tone Chords
  9. From Tonicization to Modulation

AP® Music Theory · Unit 7 · Topic 7.2

Part Writing Secondary Dominants

Watch it drawn3 questionsPractice

Watch it explained

  1. How it worksHow does a temporary leading tone rise while the chordal seventh falls in the same chord?→
  2. Worked exampleWalk me through resolving the V of V chord to V in B flat major in four parts.→
  3. Common mistakeWhy isn't the raised note of a secondary dominant ever doubled?→

Check yourself

Your turn1 of 2
The temporary leading tone inside a secondary dominant resolves up by one half step into the target chord's root. If that temporary leading tone sits 8 half steps above middle C, how many half steps above middle C is the note it resolves to?

End of topic.

Next: Chains of Secondary Dominants and Irregular Resolutions →
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