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Unit 7: Harmony and Voice Leading IV: Secondary Function

  1. Tonicization and Secondary Dominants
  2. Spelling Secondary Dominant Chords
  3. Which Chords Can Be Tonicized
  4. Part Writing Secondary Dominants
  5. Chains of Secondary Dominants and Irregular Resolutions
  6. Secondary Leading-Tone Chords
  7. Spelling and Hearing Secondary Leading-Tone Chords
  8. Part Writing Secondary Leading-Tone Chords
  9. From Tonicization to Modulation

AP® Music Theory · Unit 7 · Topic 7.4

Part Writing Secondary Leading-Tone Chords

Watch it drawn3 questionsPractice

Watch it explained

  1. How it worksHow do both tritones inside a fully diminished seventh resolve at the same moment?→
  2. Worked exampleWalk me through resolving the diminished leading-tone seventh of V to V in F major in four voices.→
  3. Common mistakeWhy isn't the diminished fifth in a secondary leading-tone chord allowed to expand outward?→

Check yourself

Your turn1 of 2
Both tritones inside a fully diminished seventh chord resolve inward by a half step at the same moment. If one tritone's upper note sits 9 half steps above middle C and resolves down by a half step, how many half steps above middle C does it land on?

End of topic.

Next: From Tonicization to Modulation →
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